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Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book
Illustration of marble
The Vagabonds
“The Pleides , a well known Knot of Stars in the Sign Taurus , as they appeared to me thro’ a one Foot reflecting Telescope.”
The planet Jupiter
Sand Mountain Scene
Image from Professor Worthington's The Splash of a Drop
Hold Fast
The Coachman
Paris, The great Art exhibition: In the Great Salon, A moment of reflection
Four Sleeping Pigs
Too Late!
Fan Palm, Singapore
Saint Mary Magdalene Penitent, from Oeuvre de Canova
“A true Projection of the System of the known Comets, all in just Proportion and Position to the Orbits of Saturn and Jupiter.”
Pieces of volcanic minerals from Solfatara
illustration of Japanese firework
Mounted ink wash landscape with trees and footbridge
Karl Blossfeldt’s Urformen der Kunst (1928)
Hired Hands
haeckel jellyfish medusae
Ruins of a Castle
Girl's Head; Peasant Girl at Window; Anders Zorn
Dappled Horse
Karl Blossfeldt’s Urformen der Kunst (1928)
illustration of Japanese firework
Max Brückner’s Collection of Polyhedral Models (1900)
Plate 28 of 38 from Oeuvres de J. B. Huet
Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book
Illustration of marble
Karl Blossfeldt’s Urformen der Kunst (1928)
The Vagabonds
An Interrupted English Dinner Party at Paris from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Karl Blossfeldt’s Urformen der Kunst (1928)
Quarryman's Hut
“The Pleides , a well known Knot of Stars in the Sign Taurus , as they appeared to me thro’ a one Foot reflecting Telescope.”
The planet Jupiter
Sand Mountain Scene
Karl Blossfeldt’s Urformen der Kunst (1928)
Amalia van Solms, wife of Frederick Henry, from Nine Portraits
Karl Blossfeldt’s Urformen der Kunst (1928)
Image from Professor Worthington's The Splash of a Drop
Hold Fast
The Coachman
Paris, The great Art exhibition: In the Great Salon, A moment of reflection
Specimens of stone and volcanic matter found on Mount Vesuvius, including lava enclosed in marble
W. E. B. Du Bois’ Hand-Drawn Infographics of African-American Life (1900)
haeckel jellyfish medusae
Four Sleeping Pigs
Too Late!
Fan Palm, Singapore
Saint Mary Magdalene Penitent, from Oeuvre de Canova
“A true Projection of the System of the known Comets, all in just Proportion and Position to the Orbits of Saturn and Jupiter.”
Pandy Mill, Church Pool, and one other subject, from Picturesque Selections
Plate 3 — Views of specimen no. 1: j, after three days on background figured; k, after fourteen days on white marble bottom (the fish was in reality much paler than the photograph would seem to indicate); l, after three days on the background figured; m, after six days on the background figured.
Pandy Mill, Church Pool, and one other subject, from Picturesque Selections
Pieces of volcanic minerals from Solfatara
Vignette to Mr. Constable's English Landscape. Hampstead Heath Middlesex. Ut Umbra sic Vita
Karl Blossfeldt’s Urformen der Kunst (1928)
illustration of Japanese firework
Illustration from Agnes Giberne's The Story of the Sun, Moon, and Stars
Fishing Fleet, from the seventh album of L'Estampe originale
Mounted ink wash landscape with trees and footbridge
Karl Blossfeldt’s Urformen der Kunst (1928)
Karl Blossfeldt’s Urformen der Kunst (1928)
Hired Hands
Two Post Horses at the Door of a Stable
playing card image
haeckel jellyfish medusae
Ruins of a Castle
“A Representation of the Convexity, if I may call it so, of the intire Creation, as a universal Coalition of all the Stars consphered round one general Center, and as all governed by one and the same Law”.
Girl's Head; Peasant Girl at Window; Anders Zorn
Watercolour blob
Dappled Horse
Karl Blossfeldt’s Urformen der Kunst (1928)
“A perspective View of the visible Creation, including the regions around our Sun, Syrius and Rigel. The rest is a promiscuous Disposition of all the Variety of other Systems within our finite Vision, as they are supposed to be posited behind one another, in the infinite Space, and round every visible Star.”
Sandro Botticelli, Inferno, Canto XXXIV, ca. 1485. The Great Satan. – Source
illustration of Japanese firework
Plate from Telemachus
Max Brückner’s Collection of Polyhedral Models (1900)
Plate 28 of 38 from Oeuvres de J. B. Huet
Karl Blossfeldt’s Urformen der Kunst (1928)
An Interrupted English Dinner Party at Paris from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Karl Blossfeldt’s Urformen der Kunst (1928)
Quarryman's Hut
Karl Blossfeldt’s Urformen der Kunst (1928)
Amalia van Solms, wife of Frederick Henry, from Nine Portraits
Karl Blossfeldt’s Urformen der Kunst (1928)
Specimens of stone and volcanic matter found on Mount Vesuvius, including lava enclosed in marble
W. E. B. Du Bois’ Hand-Drawn Infographics of African-American Life (1900)
haeckel jellyfish medusae
Pandy Mill, Church Pool, and one other subject, from Picturesque Selections
Plate 3 — Views of specimen no. 1: j, after three days on background figured; k, after fourteen days on white marble bottom (the fish was in reality much paler than the photograph would seem to indicate); l, after three days on the background figured; m, after six days on the background figured.
Pandy Mill, Church Pool, and one other subject, from Picturesque Selections
Vignette to Mr. Constable's English Landscape. Hampstead Heath Middlesex. Ut Umbra sic Vita
Karl Blossfeldt’s Urformen der Kunst (1928)
Illustration from Agnes Giberne's The Story of the Sun, Moon, and Stars
Fishing Fleet, from the seventh album of L'Estampe originale
Karl Blossfeldt’s Urformen der Kunst (1928)
Two Post Horses at the Door of a Stable
playing card image
“A Representation of the Convexity, if I may call it so, of the intire Creation, as a universal Coalition of all the Stars consphered round one general Center, and as all governed by one and the same Law”.
Watercolour blob
“A perspective View of the visible Creation, including the regions around our Sun, Syrius and Rigel. The rest is a promiscuous Disposition of all the Variety of other Systems within our finite Vision, as they are supposed to be posited behind one another, in the infinite Space, and round every visible Star.”
Sandro Botticelli, Inferno, Canto XXXIV, ca. 1485. The Great Satan. – Source
Plate from Telemachus
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